Biography

The Queen's House: A Social History of Buckingham Palace

By Edna Healey

A biography of the world’s most renowned apartment and the tale of its very important position within the background of a nation.

In this social historical past of Buckingham Palace, Edna Healey mines the royal information to take the reader into its moonlit gardens, up the grand staircase, and inside of its tapestried partitions. Dr. Johnson back holds forth within the library, Queen Victoria encores Mendelssohn within the song room, and within the royal chambers Fanny Burney wrestles once again with protocol.

Written with the help of the royal kinfolk, this vigorous and colourful biography of a home unearths not just the altering façade of the palace but additionally the altering face of a nation’s tradition, morals, models, and tastes.

sixteen pages of colour pictures; eight pages of black & white photos

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On 24 August 1846, a letter signed ‘Sphinx’ complained that: the current constitution is so appreciably, inherently and punctiliously trumpery … that no longer even the plaintive Mr Blore could make it a healthy place of abode for a Sovereign. the location isn't fit, the neighbourhood is bad… ensure a few destiny Sovereign, with extra horror of malaria, or extra regard to flavor, will depute a few destiny Mr Blore to sentence and discard it completely. sixty seven the author prompt new palace might be in-built Kensington Gardens. Plans to surround the courtyard with a fourth wing to supply extra rooms have been sharply criticized. If it needed to be equipped it was once prompt that Mr Blore may possibly take ‘a few classes within the grandiose and scenic from Greenwich Hospital’. sixty eight as an alternative, based on The Builder, the façade of the Palace awarded ‘little greater than road structure in stone, rather than stucco’. sixty nine Punch in comparison it to a line of outlets. The Caen stone used used to be a mistake, as Cubitt had regularly claimed. It weathered badly, and later needed to be painted and eventually, in 1913, rebuilt. Nash’s façade was once to endure yet another switch. The classical open colonnades alongside the edges of the courtyard wings have been to be crammed in, to provide sheltered entry to the doorway to the Palace. yet despite the fact that a lot Blore will be criticized, it needed to be admitted that he used to be quickly and inexpensive. He have been allowed £150,000 for the adjustments; he accomplished front on time at a value of £106,000. For this, the builder, Cubitt, used to be in part liable. His costings for bricklayers and carpenters have been below anticipated. Queen Victoria now had rooms for nurseries and for personal lodging and new rooms for viewers. front used to be accomplished in 1847. The Commissioners now requested Blore to settle on good-looking articles of furnishings or ornament that may be comfortably transferred from the Royal Pavilion, Brighton. So Cubitt used to be recommended to take away marble fireplaces from the Pavilion and produce them to the Palace by way of railway and cart, and to take out stains, repolish and refix them within the rooms within the new wing; regrettably Blore had now not measured the dimensions of the grates so a few didn't healthy. Neither had he made provision for ‘warming gear’ for the recent wing. This Cubitt now undertook, supplying huge ‘wrot iron’ boilers with four-inch cast iron pipes circulating the new water, which he assured may preserve staircases and galleries of the 1st ground at a relentless temperature of fifty-five levels. Cubitt didn't set up the metal grate and the ‘pair of big Ormolu Firedogs representing Dragons and Chimera’ within the chinese language eating Room. This was once finished by way of a recognized London smith, W. M. Feetham – it was once the type of ‘fancy’ paintings for which Cubitt used to be no longer outfitted. This room and different significant rooms within the new wing have been supplied with chinoiserie from the Pavilion, the Yellow Drawing Room receiving an exquisite marble chimneypiece designed through Robert Jones. The unique Pavilion furniture and fittings weren't out of holding within the outdated Nash rooms; yet they have been a bit of incongruous within the pedestrian structure of the recent Blore east wing.

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